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An experimental intercomparison was performed with brick samples from an early medieval building in the west of France, the St-Philbert-de-Grandlieu abbey.

A potentially complex set of microdosimetric problems emerged from characterisation measurements, providing a robust test of the routine procedures used by each laboratory.

1200-1600) used collective musical memory to shape cultural and political behaviour.

In which ways are these mechanisms relevant to the societies of 21st-century Europe? 1250) proudly collected their sonic past in lavish books as a record of achievement, followers of the 'devotio moderna', Hussites and early Lutheran communities often favoured 'archaic' musical styles because returning to the simpler sounds of the uncorrupted past, to them as to many today, held promise of a better future.

The recent application of thermoluminescence (TL) dating to young building materials is being increasingly developed for use in the field of buildings archaeology [Bailif, I. Dating bricks of the two last millennia from Newcastle upon Tyne: a preliminary study. Building archaeology, 14C and thermoluminescence: two examples comparison, Actes du Colloque, “C14 et Archéologie”, III Congrès International, Lyon 6–10 avril 1998, Mémoire de Société préhistorique Française, tome XXVI et Supplément de la revue d’Archéométrie, pp.

32, 615–619; Gallo N, Fieni L, Martini M, Sibillia E, 1999.

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For today's Europeans, the existence of a collective musical past is a given.

The two vessels lie a few hundred yards apart on the sands at Northam Burrows Country Park, in an Area of Outstanding Natural Beauty in North Devon.

They have been exposed by the elements a number of times in recent decades, most recently following the winter storms of 2014, and are publicly accessible from the sands.

We investigate how a new notion of a musical past came about in 13th-century France, and how it was applied by communities in the Low Countries, northern Germany, Bohemia and Poland, c. University communities in Central Europe in turn imported sophisticated music of a century or two ago from France and Italy; like 'classical' music today, cultivating the sounds of the past symbolised international outlook, education, power, and social prestige.

Five teams in the United Kingdom, The Netherlands, Germany, Poland and the Czech Republic implement this project through joint meetings, a workshop, an international conference, and an array of scholarly publications (monographs, an essay volume, and articles).